STRUCTURE, IN SPLENDID COLOR

Rasheed Araeen painting, detail

Sometimes it’s not you seeking out the art. Sometimes it’s the art itself that pulls you in. And that’s exactly what happened when I walked past the Aicon gallery on Great Jones street and saw the brightly colored art of Rasheed Araeen inside. I had to step in and check it out.

PRECISION AND STRUCTURE, WITH FLEXIBILITY

The name may not ring a bell but I am pretty sure you have seen Araeen’s work before. Maybe at the Tate Modern, or perhaps at the MoMA? His colorful geometric lattice-like structures are pretty ubiquitous in the big museum collections. What differs is the composition. Are they arranged horizontally? Vertically? How many are there? Like legos, these pieces leave room for imagination and play.

COLORS. BLOCKS OF COLORS.

Rasheed Araeen was born in 1935 in Karachi and moved to London in 1964. He trained as a civil engineer, but always wanted to be an artist. His structures may give you a window to his engineering past, but his bold paintings tell you the artist has the upper hand. Bursting with color, they include elements of Arabic philosophy and Islamic calligraphy, all anchored in strong geometric shapes and primary color palette. If you need a jolt of energy on a cold late fall afternoon, you’ve come to the right spot.

Colorful painting by Rasheed Araeen

THE COLORFUL LIFE OF A NEURON

One of the things I have always loved about New York is that it engages you. Choices abound and art lovers like me literally have something new to go see every day.

This time, my inner nerd came to surface and suggested a show that gets in your head - literally. Created by ARTECHOUSE Studio in partnership with Society for Neuroscience (SfN) to commemorate the 50th anniversary of SfN, the show is the first of its kind to use data to bring key neuroscience principles to life. The show allows visitors to walk into a real-life 3D model of a human prefrontal cortex neuron — the “thinking cell” of the brain — and see it grow from birth through death.

While I have been to Artechouse’s tech-powered shows before (last year they had a great one co-created by Refik Anadol), this one felt even more mesmerizing. Watching an artfully presented depiction of the goings-on of a human brain is interesting enough on its own, but combine it with vivid, pulsating color, ever evolving shapes, simple yet evocative sound cues and mesmerizing digital animation and suddenly, you’re transported into a whole new world. Neural pathways coming to life in front of your eyes resembling Brazilian rainforest, forming and re-forming, reflecting joy and play and changing again at signs of stress and trauma. It is fascinating and I loved it.

ARTECHOUSE, located in NYC’s Chelsea market, is the nation’s first innovative art organization dedicated to the intersection of art, science and technology. It produces technology driven exhibitions using the largest seamless megapixel count projections of any cultural institution and integrating Hyperreal Sound technology. The current show runs through November 13.

DRIFT AWAY WITH ME... IN NEW YORK CITY

New York City. Hustle and bustle. Traffic. Honking cars. Pedestrians rushing by. A concrete jungle that can swallow you whole.

But what if you could use all that concrete to help you pause? Take a breath. Slow down and let yourself drift away for a few fleeting moments. With The Drift, the show currently running at The Shed, you can.

THE MAGIC OF DRIFTERS

The Drifters are, without a doubt, the main attraction in Studio DRIFT’s art installation currently on display at The Shed in New York’s Hudson Yards. The giant concrete blocks that float effortlessly through the air have been intriguing audiences ever since the Pace Gallery brought one to the Armory Show in 2017.

Designed to float and move at slow speed on a controlled three-dimensional path, The Drifters are meant to provoke thought. The studio founders Lonneke Gordijn and Ralph Nauta put it perfectly: “On its own the concrete block is nothing, lost in space and time without reference to anything; it is always searching to be part of something bigger. Drifter wants to make people feel that without context they are lost. Without context, the object feels alien, divorced from its source. Drifter shows how unknown the world and its mechanisms still are to mankind and emphasizes the urge to expand our horizon and evolve in time.”

And they do just that at the Shed. Once you’ve made your way through the other parts of the show (more on those later), you'‘re asked to pause briefly in the waiting room. Here you’re treated to a couple of short films: one showing The Drifters levitate across the world, making their way over verdant highlands, weaving through forests and reflecting in the rushing water of mountain streams below. The other movie hits closer to home: The Drifters navigate the air above Manhattan’s busy streets. Now you’re primed for the “performance.”

The curtain lifts and you make your way into the massive space with several Drifters hovering in a perfect line above your head. Some people sit down, others stretch out on the concrete floors. Lights dim, music starts and The Drifters above you start moving. A forward slide here, a spin there, coming closer and closer until you feel you can touch them, only to have them pull away just out of reach. It’s mesmerizing and it takes some discipline to put the camera away and just enjoy the moment. I loved it.

BUT WAIT… DON’T SET YOUR EGO ASIDE JUST YET

The Drifters are the main draw, but visitors would miss out if they did not stop in the room that showcases another Studio Drift installation, Ego. Introduced in 2020, “Ego” is a kinetic sculpture made out of translucent mesh fabric that morphs, inflates, floats, stretches and collapses, only to lift up again a few moments later. The founders see it as a representation of our hopes, truths and emotions that evolve along with our own mind. Linger, ponder and see how your own belief system works. Is it rigid, or is it fluid?

The Drift is on display at The Shed in New York City through December 19.

Studio DRIFT was founded by Dutch artists Lonneke Gordijn and Ralph Nauta in 2007. Based in The Netherlands, the team focuses on creation of experiential sculptures, installations and performances, combining hidden properties of nature and technology to help humans re-establish their connection to the Earth. Their work has been shown at Victoria & Albert Museum; Met Museum; Stedelijk Museum; Biennale di Venezia; Pace Gallery; and now at The Shed in New York City.

PORTRAITS WITH A TWIST: A MUST-SEE PHOTOGRAPHY SHOW IN NEW YORK CITY

Reka Nyari: Effect Papillon

Those who know me, know my love of photography and portraiture. My admiration for those who look into the viewfinder and find the perfect moment, the perfect pose, the perfect silhouette and capture it for all of us to enjoy is a well established fact.

What many of my friends would not expect is an article where tattoos play a rather prominent role. If you asked me, I would not expect that, either! But then you come across an example of this body art in its most elevated, beautiful form and you make an exception. Reka Nyari is one of the artists whose work fits into this exceptional category.

REKA NYARI WILL MAKE YOU FALL IN LOVE WITH TATTOOS

How does one go from Finland and Hungary to spectacular ink photography? In Reka’s case the road goes through The School of Visual Arts and modeling. From there, it was just a quick step from the front of the camera behind the lens. From then, it’s and onwards to fashion, fine art photography and videography.

With the works of David Lynch, Helmut Newton, Miles Aldridge and Cindy Sherman as inspiration for her own work, Reka quickly developed a stunning photographic language of her own. Her striking black and white portraits of women often challenge the traditional ideals of beauty by bringing in extensive body decor while her posing of the model elevates the idea and remains captivating. Yes, there is nudity, but it almost feels like a side effect, not the main feature.

Those who want to only dip their toes into Reka’s fascinating world should take a peek at her stunning monograph, “Femme Fatale: Female Erotic Photography”.

GEISHA INK

According to the artist, this series creates an interesting juxtaposition - the symbolism of the Japanese geisha and the Yakuski, Japanese gangster, tattoos, Irezumju. Known for the painful process required to get this type of tattoos, they are seen as a symbol of the recipient’s bravery - but also their insubordination. Not what you’d associate with the the much calmer image of a geisha.

PUNCTURED INK

The latest series of this artist (and probably my favorite series from her work to-date) takes the idea of tattoos even further. Here, Reka takes the large scale portraits and makes them one-of-a-kind by “tattooing” each one - perforating patterns into the photographic prints. The result is a beautiful contrast: bold tattoos presented with distinctly feminine poses and enveloped by dreamy greenery and delicate botanical patterns, swirls and circles. Destruction, made beautiful. Or as the artist calls it, “ink, cubed.” I absolutely loved it.

The Reka Nyari show is on at the Fremin Gallery in Chelsea and it closes soon. Do yourselves a favor and go see it.

Reka Nyari: Lune de Sang